Top Ten Worst Movie Villains

What is the purpose of a movie villain? For what reason are they so crooked, so vile and so corrupt? Why are some of them so gosh darn enticing? And why are some of them so annoyingly unthreatening that they make a wooden spoon look like a nuclear bomb? A villain is meant to represent everything the hero is against. While the hero is the one we’re meant to root for and sympathise with, the villain is the one we want to see be stopped in their dastardly tracks. A true villain provides a challenge for the hero as the good guys bravely fight for the greater good. They are meant to stand against all that is decent and moral in the world, working only for their own greed, power and evil personal gain.
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Top Ten Horror Films of the 21st Century

It’s difficult to really make a great horror film while setting it in modern times. We now live in an age in which we all have mobile phones, devices which can put us straight through to the police while we’re hiding from an axe-murderer in the woods. In a world in which help can be contacted at the simple click of a button, suspense can be tricky to create. And to have the phone’s signal be unavailable or the battery drained of power is now considered a cliché to roll one’s eyes at.
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Top Ten Alternate Movie Endings

What if some of your favourite movies were to have ended on a different note? What if the characters you’d grown to love and care for were to meet a different fate from what was really shown on the big screen? What if this iconic character was to kick the bucket instead of live before the end credits rolled? What if the movie was to take on a whole other meaning from what you interpreted from its theatrical release? What if the film was released with the filmmakers’ original plans intact? Would the film be as iconic? Would it have been ruined? Would it have been better? Would it have gotten a sequel? Would it have even seen the light of day?

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Top Ten Horror Films of the 80′s

After cinema-going audiences had caught a whiff of the luscious flavour of red corn syrup in the 1970s, they were thirsty for more; horror was about to take an eventful trip into Bloodville. Body horror culminated in the 1980s, from bodily invasion to general dismemberment, this most likely stemming from the demon fetus in 1968′s “Rosemary’s Baby,” the chest-bursting extraterrestrials in 1979′s “Alien,” and the limb-mutilating power tool from 1974′s “The Texas Chainsaw Massacre.” Buckets of guts was the new “in thing,” and has continued with this status for quite some time.

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When Bad Guys Go Good, They Get Dead

In sword fights to the death, there seems to be some kind of code of chivalry that dictates their actions and makes the fight fair. You would expect chivalry and that crap from good guys, after all, it is their job. But bad guys are bad for a reason: they don’t play by the rules. So why do villains often do the same sort of chivalrous behavior as their Heroic counterparts?

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